Thegidi is proof that the young directors of today are taking Tamil cinema to the next level by storm. The gamut of emotions, a non-living element ushered in the viewer, as the climax unfolded, was proof enough of what the director, the cinematographer and a sincere script is capable of. Despite its slow pace, you couldn’t but fall in love with this one.
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The debutante director Arun Kumar never lets any of the commercial ‘must-haves’ come in his way of storytelling, still managing to pull off a riveting drama, especially in the last sixty minutes. The real hero of the movie, other than of course Arun is the all-talented Jayaprakash, who living the role of the Pannaiyar, shares some sizzling on-screen romance with Thulasi, who again gives another cracker of a performance. Pannaiyarum Padminiyum is an example of how an ordinary logline on paper can be translated into an ‘endearing’ piece of cinema onscreen, just by a little intelligent scripting, adding some out of the box sentiments and characters written right out of our neighborhood.
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Here is a movie that shows how a little, just a little, inventiveness and restraint in the commercial cinema space wont make the audience look like dim-wits. “How will you react, if you are forcibly stripped off your hard-earned identity!?” asks Vijay Milton in this offbeat revenge drama, which traces the adventures of four teenagers, as they travel through the ups and downs of life. Despite being guilty of a few logical loopholes and cinematic exaggerations in the script, and accused of promoting on-screen teenage violence, director-cinematographer Vijay Milton and director Pandiraj (dialogues) join hands to give us a racy, engaging entertainer and the first refreshingly promising Tamil movie of the year. The whole team of Pasanga are an absolute treat to watch in this ‘coming of age’ action film. And the director definitely deserves accolades for choosing the unusual premise and keeping away from formulaic fare.
Here are my top 15 Tamil films of 2014, in no particular order.
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